Mary Engelbreit Art Catcher 536563 Home Is Where One Starts
Another couple might take given up, simply not Craig and Linda Fiebig. Later on a botched remodel left their Seattle home nearly uninhabitable, the intrepid duo decided to build a new business firm on the same belongings.
"If I hadn't had 3 kids at the time, I would accept called a loft downtown," says Linda, now a stay-at-home mother of 4. With that urban archetype in mind, the Fiebigs asked the noted firm Vandeventer + Carlander Architects to design a colorful gimmicky business firm that could accommodate the couple'south burgeoning fine art collection and the demands of a growing family.
Perched on a rambling corner lot simply minutes from downtown, the new domicile consists of ii parallel boxes linked by a narrow atrium. Support functions such as the kitchen, laundry, stairs and bathrooms are wrapped in ruby-red Cor-10 steel, while living spaces reside inside a cedar cake prepare atop a glass plinth. "Nosotros used different materials to code the public and private spaces and to meet Linda's desire for color and multifariousness," says design chief Tim Carlander, who collaborated on the projection with his firm's managing partner, Bill Vandeventer, and SBI Construction.
The home's artistic aspirations are evident from the entry, where storefront windows frame a compelling canvass past Chinese American creative person Hung Liu. To the left sits Linda'due south role, an ocher control centre with expansive glass doors. Steel stairs on the opposite side of the entry pb to the atrium, which divides the house into public and individual realms. "This house is laid out very functionally," Linda says. "In that location's no wasted space."
Steel armatures frame the living expanse and back up the second floor, freeing the surrounding curtain wall to encompass the sylvan setting (the landscape architect was Portland's Samuel Williamson). Drinking glass doors open onto a pair of terraces and the lawn beyond, inviting an easy indoor-outdoor flow that'southward platonic for parties. Since Linda doesn't like having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, so there'due south nowhere for guests to linger.
Linda kept her colour cravings in check when it came time to decorate. "I actually had to fight my impulses, because I didn't want to steal the thunder from the architecture or the art," she says. The living room (furnished by Michael J. Skelton of MJS Interiors in Los Angeles) is divided into 2 seating areas, each of which is anchored by a red Tai Ping carpeting. A red zebra-patterned Chris Lehrecke futon from Ralph Pucci serves both groupings, its colour repeated in the dining chairs. Past limiting the accents to a unmarried hue, Skelton was able to satisfy the owner's desire for colour without upstaging the surroundings.
Artwork adorns every wall, making the pieces more approachable just as well more than vulnerable to the exploits of the family's youngsters: Alec, 17, Tommy, 13, Ingrid, eleven, and Rhys, 5. "There's going to exist a certain rate of attrition, and you just deal with it," shrugs Craig, an Information technology marketing manager. "The two of us have damaged more art than the kids have," Linda confesses.
Click here to see the gallery for "The Aesthetic Dwelling house".
Linda, a Midwesterner past nascence, asked for enough of light to combat Seattle's oftentimes gloomy weather condition. The architects obliged, lining the atrium's walls and ceiling with a almost unbroken band of windows. Even the atrium floor is glass, then light tin illuminate the basement during the twenty-four hours.
Glass bridges span the void above, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they have to cross a bridge to go to the main bath, Linda and Craig don't seem to mind. "My husband gets up at five in the morning, so while he's getting ready, I can still be over in the bedroom sleeping," Linda says.
Owing to a diverseness of unforeseen circumstances, the firm took half dozen years from concept to completion. During that time, the Fiebigs lived in a succession of rental houses and dispersed their art to friends. (Attending a political party i evening, Craig raved about 1 of his host'south paintings, only to be reminded that the piece was his.) When they were finally reunited with their art, Linda was overcome. "It was like a child coming home from college," she says.
All those years of planning paid off, though. Light and greenery greet the Fiebigs at every turn, enshrining family and art in a setting that is worthy of both. "The house suits our lifestyle to a tee," Linda says. "People often inquire usa what we would change. We're nevertheless hard-pressed to come up up with an answer."
What the Pros Know
The living room fireplace and Linda'southward office look equally though they're covered in Venetian plaster, but the material is actually Milestone, a hybridized Portland cement developed in the 1980s by Seattle craftsman Don Miles. Milestone contains an acrylic binder, making it h2o resistant and well-nigh impervious to dandy and fading. The material adheres to almost any surface, so it'southward ideal for walls, floors, countertops and showers, and it accepts the same universal tints used at paint stores, meaning that colour choices are space. The cost depends on the project just is comparable to quality tile or stone. Milestone can be purchased only from Artisan Finishes in Seattle (ArtisanFinishes.com), but company president Don Latimer is happy to help homeowners locate qualified installers in their area or to provide instruction to experienced practise-information technology-yourselfers. "Information technology'due south a fairly forgiving medium," Latimer says. "If you have a failure, it'll be artistic, not structural."
Click here to see the gallery for "The Artful Habitation".
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